{"id":127,"date":"2024-06-11T22:15:57","date_gmt":"2024-06-11T22:15:57","guid":{"rendered":"https:\/\/jeannesaadepalombo.com.mx\/?page_id=127"},"modified":"2024-09-18T03:26:44","modified_gmt":"2024-09-18T03:26:44","slug":"la-bella-mentirosa","status":"publish","type":"page","link":"https:\/\/jeannesaadepalombo.com.mx\/eng\/textos\/la-bella-mentirosa\/","title":{"rendered":"La bella mentirosa"},"content":{"rendered":"<style>.kb-row-layout-id127_32496b-76 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id127_32496b-76 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id127_32496b-76 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);max-width:80%;margin-left:auto;margin-right:auto;padding-top:10%;padding-bottom:5%;min-height:100vh;grid-template-columns:minmax(0, calc(60% - ((var(--global-kb-gap-md, 2rem) * 1 )\/2)))minmax(0, calc(40% - ((var(--global-kb-gap-md, 2rem) * 1 )\/2)));}.kb-row-layout-id127_32496b-76 > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id127_32496b-76 > .kt-row-column-wrap{grid-template-columns:repeat(2, minmax(0, 1fr));}}@media all and (max-width: 767px){.kb-row-layout-id127_32496b-76 > .kt-row-column-wrap{padding-top:10%;padding-bottom:10%;grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id127_32496b-76 alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-equal kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top kt-inner-column-height-full\">\n<style>.kadence-column127_ec5bcb-09 > .kt-inside-inner-col{padding-top:0px;}.kadence-column127_ec5bcb-09 > .kt-inside-inner-col,.kadence-column127_ec5bcb-09 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column127_ec5bcb-09 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column127_ec5bcb-09 > .kt-inside-inner-col{flex-direction:column;}.kadence-column127_ec5bcb-09 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column127_ec5bcb-09 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column127_ec5bcb-09{position:relative;}@media all and (max-width: 1024px){.kadence-column127_ec5bcb-09 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column127_ec5bcb-09 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column127_ec5bcb-09\"><div class=\"kt-inside-inner-col\">\n<p><em>La bella mentirosa<\/em><br><strong>POR CARLES ASENSIO, 2013<\/strong><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-align-right\"><em>&#8220;Liz: No es la carne lo que es imp\u00fadico no es la desnudez&#8230; es algo m\u00e1s.&#8221;<\/em> <br>Di\u00e1logo de la pel\u00edcula <em>La Belle Noiseuse<\/em> de Jacques Rivette<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>\u00bfCu\u00e1ndo una pintura est\u00e1 terminada? \u00bfQu\u00e9 pincelada ser\u00e1 vista como \u00faltima, la necesaria para que los fines del cuadro hayan sido alcanzados? \u00bfEs realmente posible capturar toda una vida en el lienzo de una pintura? \u00bfSimplemente con unos pocos trazos de pintura?<\/p>\n\n\n\n<p>El proceso de pintar estos retratos\/autorretratos surgen de un acto vital \u2014una especie de convulsi\u00f3n\u2014 del sujeto de la obra, la artista y su modelo. El delirio de los sentidos, la afirmaci\u00f3n del gesto y del color como un medio. Una pregunta inevitable para la artista: los l\u00edmites del arte. L\u00edmites que funcionan como verdad absoluta y alteridad extrema, lo visible y tangible de un cuerpo que es capaz de ver, pero termina por no ser representable, en esencia, la representaci\u00f3n pict\u00f3rica, es ciertamente una imagen. \u00bfPero qu\u00e9 tipo de imagen?<\/p>\n\n\n\n<p>Seg\u00fan Georges Didi-Huberman, a partir del relato <em>La obra maestra desconocida<\/em> de Honor\u00e9 de Balzac, ve el significado de la imagen pict\u00f3rica en el pintor Frenhofer y su lucha para encarnar la \u201cotra\u201d naturaleza en su pintura. Asimismo, Jeanne Saade Palombo muestra la \u201cotra\u201d imagen de sus modelos retratados, un deseo oculto de exhibir y poseer lo m\u00e1s \u00edntimo e inefable, con el fin de producir una pintura encarnada con \u00e1nima.<\/p>\n\n\n\n<p><br><\/p>\n<\/div><\/div>\n\n\n<style>.kadence-column127_e9bd2a-1c > .kt-inside-inner-col{padding-right:15%;padding-left:20%;}.kadence-column127_e9bd2a-1c > .kt-inside-inner-col,.kadence-column127_e9bd2a-1c > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column127_e9bd2a-1c > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column127_e9bd2a-1c > .kt-inside-inner-col{flex-direction:column;}.kadence-column127_e9bd2a-1c > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column127_e9bd2a-1c > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column127_e9bd2a-1c{position:relative;}@media all and (max-width: 1024px){.kadence-column127_e9bd2a-1c > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column127_e9bd2a-1c > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column127_e9bd2a-1c\"><div class=\"kt-inside-inner-col\"><\/div><\/div>\n\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>La bella mentirosaPOR CARLES ASENSIO, 2013 &#8220;Liz: No es la carne lo que es imp\u00fadico no es la desnudez&#8230; es algo m\u00e1s.&#8221; Di\u00e1logo de la pel\u00edcula La Belle Noiseuse de Jacques Rivette \u00bfCu\u00e1ndo una pintura est\u00e1 terminada? \u00bfQu\u00e9 pincelada ser\u00e1 vista como \u00faltima, la necesaria para que los fines del cuadro hayan sido alcanzados? \u00bfEs <a href=\"https:\/\/jeannesaadepalombo.com.mx\/eng\/textos\/la-bella-mentirosa\/\" class=\"more-link\">&#8230;<span class=\"screen-reader-text\">  La bella mentirosa<\/span><\/a><\/p>","protected":false},"author":1,"featured_media":0,"parent":26,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","footnotes":""},"class_list":["post-127","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/jeannesaadepalombo.com.mx\/eng\/wp-json\/wp\/v2\/pages\/127","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jeannesaadepalombo.com.mx\/eng\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/jeannesaadepalombo.com.mx\/eng\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/jeannesaadepalombo.com.mx\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jeannesaadepalombo.com.mx\/eng\/wp-json\/wp\/v2\/comments?post=127"}],"version-history":[{"count":11,"href":"https:\/\/jeannesaadepalombo.com.mx\/eng\/wp-json\/wp\/v2\/pages\/127\/revisions"}],"predecessor-version":[{"id":964,"href":"https:\/\/jeannesaadepalombo.com.mx\/eng\/wp-json\/wp\/v2\/pages\/127\/revisions\/964"}],"up":[{"embeddable":true,"href":"https:\/\/jeannesaadepalombo.com.mx\/eng\/wp-json\/wp\/v2\/pages\/26"}],"wp:attachment":[{"href":"https:\/\/jeannesaadepalombo.com.mx\/eng\/wp-json\/wp\/v2\/media?parent=127"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}